Results tagged “comics”

speakman-knot.jpgAristotle once coined the general principle of holism as: “The whole is more than the sum of its parts.”

It can be great fun, however, analyzing the parts!

Where do the parts that comprise you come from?

Where did the parts that make up Shawn Charlton Speakman come from?

I am extremely self aware of who I am—at least who I think I am. Every daily event I have experienced in life has become a part of me. From birth until my last breath, I know that I will be shaped by anyone and everything. It is inevitable. That includes the books I read too. In a way the authors I’ve read over the years have taken up residence in my soul and, like the guiding influence of my parents when I was young, live inside of me, to be called on when needed.

It’s no wonder I love collecting those books that are most meaningful to me.

What characters in fantasy / science fiction best explain who you are?

Here are the main four I can definitively say reside inside:

Superman

superman-daily.jpgNo, no father of mine gave his son away, to rocket through the cosmos and help bring light to a barbaric humanity.

That would be cool though, right?

In all seriousness, the majority of who I am can be explained by Clark Kent and how he sheds all selfish desires to help others less fortunate. I try to emulate that. When a friend needs help I am there offering what I can. If a stranger falls down in front of me, I help them up if I don’t catch them first. When a wheelchair-bound man tries to belly up to the bar, I clear away the stools before the bartender can do it. I spend a lot of time and energy putting people at ease, to add a meaningful dialogue with all I meet whether it is talking about sports or giving heartfelt listening and advice.

I try to be a hero for other people who need it, even for what seems the most mundane of needs.

I have always held those ideals, from my earliest memories. But Superman became something more to me when I was diagnosed with cancer almost nine years ago. I began chemotherapy just like many thousands do every day. To represent the strength I would need to survive, I wore one of three Superman t-shirts to treatment every day. It brought a smile to those being infused around me; it kept me focused on the strength I would have to bring to bear.

Needless to say, there is a Man of Steel in my persona—despite looking like Lex Luthor on the outside!

talisman-0.jpgI am back in the Territories!

The Talisman: The Road of Trials #0 is published today in fine comic book stores for $1.00!

I read and reviewed Issue #0 of the Stephen King / Peter Straub comic book adaptation two months ago. I enjoyed it a great deal. It is a prequel to the novel of the same name, a look at events that helped shape young Jack Sawyer before he took his first step into the Territories. I reviewed the San Diego Comic Con edition of #0, a black and white issue given away for free at the convention.

The #0 released today is in glorious full color.

I received my copy a few days ago and I opened it immediately. I wanted to see if Nei Ruffino, the colorist on the project, could bring Tony Shasteen’s artwork alive similar to how Richard Isanove colors for penciler Jae Lee on the Dark Tower comic book adaptations. In short, she does. Nei brings a vibrancy to Tony’s intricate pencil work, leaving any last apprehensions I had about this project behind.

And today is not only the release of Issue #0 for $1.00, but MTV.com has also posted an exclusive early look at the first six pages of Issue #1!

It is easy to see why Del Rey hired the creative team they did. Those first six pages of The Talisman: The Road of Trials #1 have me even more excited than before.

Accompanying the release of Issue #0 and the posting of the Issue #1 excerpt, plotter and writer Robin Furth has a new interview at Lilja’s Library where she talks about the adaptation of The Talisman in greater detail.

Get out there! Locate the closest comic book store today and buy Issue #0 for $1.00!

M-O-O-N! That spells Issue #0!

gunslingerseries-1.jpg

“The man in black fled across the desert and the gunslinger followed.

That opening sentence to The Gunslinger by Stephen King will be imprinted on my brain until the day I die. It is just one of the best opening lines of any book—ever—and sets up a conflict that resonates for another six books, a short story, and numerous prequel comic book issues.

It appears as though Marvel Comics is not through with Stephen King just yet!

It was just announced that the creative team of Robin Furth, Peter David and Richard Isanove would be returning for another series of mini-series devoted to the adaptation of The Gunslinger. Next month the last arc of new material begins, Dark Tower: The Battle of Jericho Hill, and as it is the climax to his first ka-tet Stephen King and Marvel want to shed more light on why the last gunslinger is the way he is and what pushed him toward his quest for the enigmatic Dark Tower.

I am happy about this. I love that piece of artwork above. I only pray, sai King and sai Quesada, that Jae Lee is doing the pencil artwork throughout the series. Without him or a true penciler on board, this project will be lackluster.

Time will tell!

Ka is a wheel. And it turns, turns, turns…

510WASmoCTL._SS500_.jpgALIVE (Alive Saishû Shinkateki Shônen, “Alive: Final Evolutionary Boy”) (アライブー最終進化的少年ー) • Tadashi Kawashima (original story), Toka Adachi (art) • Del Rey (2007-ongoing) • Kodansha (Monthly Shônen Magazine, 2003-ongoing) • 18+ volumes (ongoing) • Shônen Psychic Science Fiction • 16+ (mild language, infrequent graphic violence, mild sexual situations)

A strange cosmic event or plague strikes the Earth, causing thousands of people to commit suicide, while others develop superhuman powers. Kano, the teenage little brother of the sexy school nurse, is one of the lucky few who develops powers, but he must leave school and travel across Japan, fighting the other “evolved” ones who have turned into sociopathic killers—including his former best friend. A mix of alien forces, strange conspiracies, and teenage nihilism, Alive strikes a satisfying middle ground between high-concept angst and psychic-powered beat-‘em-up. The art is an attractive example of the Shonen Magazine house style, with photorealistic environments which reinforce the generally serious mood. The characters use their powers creatively. An above average “realistic superheroes” story.
*** (three stars)

Today’s winner is Louis R. of Florida. Congratulations, Louis! We’ve been receiving tons of photos of winners, and we’ll be putting more up soon!

Admittedly, I find G4 to be a little hit-or-miss*, but they excel in their comics and gaming reporting. You can always rely on Blair Butler, host of Fresh Ink, a show devoted to all things comics-related, to bring the goods**. And so she did again in a recent interview with Brian Michael Bendis. Bendis is a comics all-star and lets loose on all manner of things in this interview, including the digital future of comics and comic books. He also explains some of the economics behind comics publishing.

This is easily one of the better interviews I’ve seen in a while and I hope you enjoy it. You can find the original interview and post on G4’s The Feed. You can watch the interview here in two parts; part one is below, part two follows after the jump.

Enjoy!

Blair Butler interviews Brian Michael Bendis for Fresh Ink, pt. 1

batmancacophony.jpg

That’s right - I’ve got a brand spankin’ new copy of Kevin Smith’s Batman: Cacophony graphic novel to take home with me this weekend. I am pretty darn excited. I’ve also got American Gods by Neil Gaiman on my nightstand, as well as The Lost Symbol. And Naamah’s Kiss waiting for me at the library. Whew, lot of reading to do!

What are y’all reading this weekend?

Yes, I just said “y’all.” Deal with it. You can’t take the Midwest outta this girl!

Mercy Thompson Homecoming_sm.jpg

Front jacket painting by Dan Dos Santos.

When I was a kid, my father used to take my older sister and me to “the green striped store” once a week and give us each a dollar to buy comic books. I can remember getting to buy five each (which should date me!). Oddly enough I don’t remember the ones I used to buy, probably because I read them to shreds and they ended up, after a suitably long time under my bed, in the garbage. But I remember the ones my sister had. She was OCD about keeping them looking new, organizing them, and keeping them away from me. She had more success in the first two tasks than she had in the last.

Even battered and torn, her comic collection is worth a pretty penny — but if I hadn’t been her little sister, she’d probably be independently wealthy by now. So all those people she’s helped keep healthy (she’s a doctor) owe me one.

She had the X-Men before they were cool and all of the issues where the old X-Men were captured and Prof. X had to bring in the new ones — you know, like Wolverine and the Banshee. She had The Amazing Spiderman, Sheena Queen of the Jungle, The Claws of the Cat, and a dozen others. Most importantly for you and me, she collected a comic called Werewolf by Night.

And that’s where I came by my love of werewolves; that’s why I write about them.

Werewolves_sm.jpg

A pack of werewolves on the prowl in Mercy Thompson: Homecoming. (painting by Francis Tsai)

Disclaimer: I honestly have no idea how this happened; but, after reading Bug’s blog I now know some kind sole ponied up some coin for it (and for charity). Dan Wallace sent the Atlas team the link to Tom the Dancing Bug’s latest web-comic on Salon this morning and I was thrilled. The Force truly is with this book.

Super-Fun-Pak.jpg

This strip is just part of a six pack of strips. I recommend you click here to read them all. Thanks for the product placement!

We’re bringing the husband-and-wife creative team behind Del Rey’s forthcoming X-Men: Misfits in for a live chat with us and with you. The chat is slated for Monday, August 24th, at 2pm.

Have you entered that into your smart phone’s calendar yet? If not, or if email is more your style, why don’t you use the widget below to sign up for a reminder? And don’t worry, we’re not keeping your addresses with this thing, it’s a one-time reminder.

Of course, if you can’t attend the live event, but still want to ask a question, you can send them along to the team at Del Rey Manga by clicking this link: Del Rey Manga @ RandomHouse.com.

And if you’d like to know a little more about Dave and Raina, you can read about them here.

X-Men: Misfits cover image

Want to know more about X-Men: Misfits? Follow me after the jump to read the official synopsis.

talisman-1variant.jpg

Newsarama posted the variant cover to The Talisman: The Road of Trials #1!

Here is the press release:

Del Rey, an imprint of Ballantine Books at the Random House Publishing Group, announced today Mike Krahulik, artist and half of the creative duo behind the hit gaming and geek culture-based webcomic Penny Arcade (www.penny-arcade.com) as the variant cover artist for Issue 1 of Stephen King and Peter Straub’s The Talisman, on sale in November.

“Penny Arcade is the online phenomenon which debuted in 1998 whose global readership generate over 50 million pageviews a month. Mike Krahulik is also known as Gabe, his online persona in the Penny Arcade comics. Krahulik has lent his distinctive art style to promotional comics for Tom Clancy’s Rainbow Six, Prince of Persia, Fallout 3, and other video games, as well as advertisements for the Entertainment Software Association.

“The epic saga of The Talisman debuts with Issue 0, a never-before-told prequel to the story, to be published by Del Rey Comics in October. The Talisman novel, originally published in 1984, is the story of a teen boy named Jack Sawyer, who can save his dying mother only by retrieving a magical talisman. To find it he must cross back and forth between our world and the frightening and dangerous landscape of its “twinner” counterpart. Issue 0 explores the separate lives of Jack’s father—in our world, and in the mysterious realm known as the Territories—and how evil scheming will forever change Jack’s peaceful life.

“The series is being adapted by Robin Furth and illustrated by Tony Shasteen, with regular cover art by Massimo Carnevale and coloring by Nei Ruffino. The Talisman Issue 0 will be available in comic book stores everywhere on October 21, 2009, and The Talisman Issue 1 will hit comics stands on November 18, 2009.

The Talisman - Stephen KIngM-O-O-N! That spells badass adaptation!

It has been a number of years since I read The Talisman by Stephen King and Peter Straub. I first read it when I was fourteen or fifteen and fell in love with the entire story—the premise, its style of writing, its characters and its magic. Semi-considered a part of the Dark Tower saga, The Talisman is one of those foundational pieces to my reading life.

It wasn’t until Black House published in 2001 that I read it for the second time. With adult eyes. And, happily, it held up to wiser eyes.

So when I found out Del Rey Books had snagged the rights to adapt the book into a comic book series, I was ecstatic. I’ve worked with Del Rey on various projects for years and the people there are dedicated to seeing all projects done correctly and with passion. When I learned editor-in-chief Betsy Mitchell would be overseeing the project, I knew it would be in good hands. When I learned that Robin Furth would be involved as adapting writer—Stephen King’s former research assistant and plotter of the Dark Tower comic book series—I grew more excited as she could be utterly trusted with the material. And when I saw the artwork for Tony Shasteen and Nei Ruffino, I could not wait to see the first issue.

Well, now I have! And I am happy to report I enjoyed it immensely.

Conversational Comics, the three-panel speaker series sponsored by the Comic Book Legal Defense Fund, concludes at host venue Union Pool in Williamsburg, Brooklyn, on Saturday, August 15 at 2:00 pm.

Austin English (Windy Corner, Christina and Charles), Lisa Hanawalt (Stay Away From Other People, I Want You) and Dash Shaw (Bottomless Belly Button, Bodyworld) will talk with comics critic Bill Kartalopoulos (Parsons, Print Magazine) about the relationship between image-making and drawing for comics. How do pictures work differently in comics than they do on gallery walls?

Then stick around to get a book signed, hit the taco truck, and sip a summer drink with the featured cartoonists. This is the concluding event in a three panel series of live conversations with contemporary cartoonists. Do not miss this final opportunity to listen to and mingle with artists currently changing the face of comics!

All events take place at 2:00 pm in the back room at Union Pool. Union Pool is located at 484 Union Ave., Brooklyn, NY 11211, one block from the Lorimer-Metropolitan G and L stop.

Suggested donation for each event is $5. All proceeds go to benefit the Comic Book Legal Defense Fund.

Liam comics.jpg

It was just over a year ago that Liam, seven years old at the time, got into a heated argument with his father in their local comic book shop. They argued about whether the Spider-Man comic that came out that week had a cool cover or not. Liam ended the argument by telling his father that he wished he was on the internet too so that he could tell people what good comics were. And with that, “The Kid” began reviewing comic books. He can now be read regularly on his own blog, The Kid’s Comic Book Reviews, and is part of the team that reviews comics each Wednesday on Aint It Cool News.

In celebration of the first anniversary of The Kid’s Comic Book Reviews Liam asked industry professionals a few questions about their reading habits, working in comics, and what comics kids might like to read today. Here are a few examples:

Did you read comic books when you were a kid and if so what were some of your favorite comic books/characters?

Fabian Nicenza (writer of Cable/Deadpool for Marvel, Batgirl for DC): I started reading comics as early as I could remember in Argentina, because my older brother was reading a magazine called Antiojito y Antifas. Then when we first came to the United States in 1966, I read Superman, Batman, Archie Comics, Hot Stuff and Richie Rich. Then I discovered Marvel Comics and Spider-Man, the Fantastic Four and the Avengers.

Erik Larsen (Image Comics founder, creator of Savage Dragon): I did. I liked a lot of Marvel Comics. Fantastic Four, Hulk and Spider-Man plus the old Fawcett hero Captain Marvel.

Tom Brevoort (Executive Editor for Marvel Comics): Yes, I started reading comics when I was six years old. My first comic was SUPERMAN #268, and early on I mostly read DC titles. My favorite super hero at the time was the Flash. Eventually, I moved into reading Marvel titles as well, beginning with the Fantastic Four.

Find the full anniversary special featuring more Q&A with the likes of Joe Quesada, Dan Slott, Jeph Loeb, David Liss, Daniel Way, Kazu Kibuishi, Joe Schreiber, and many more by clicking this link.

Now get out there and feel like a kid again. Visit your local comic book shop and pick up a copy of Batman & Robin, Green Lantern, Avengers, Archie Comics, or anything else that suits you. You can find the shop near you at Comic Shop Locator.

“Excelsior!”
(my apologies to Stan Lee for “borrowing” that.)

Pablo_COBRA.jpg

Above:Baroness, Pablo Hidalgo, and Cobra Commander at SDCC.
(Photo by: Nicole Love)

Pablo Hidalgo, author of the Del Rey book G.I. JOE vs COBRA: The Essential Guide, dropped by our booth at San Diego Comic Con. He signed copies of the book for fans and later took a few minutes to speak with us about his love for the G.I. JOE toy brand, how the book came together, and which G.I. JOEs he would want to fight side-by-side with him.

As you can see in the widget to the left, the book is a beautiful full color guide to the characters, vehicles, and stories that have made fans happy for over twenty five years.

This Friday the new movie, G.I. JOE: The Rise of Cobra, opens in theaters. Buzz is building fast on the action packed flick. The movie is scoring extremely well on Rotten Tomatoes and they have assembled a fun pictorial that compares the original characters to the new versions in the movie. My ten-year old self can’t wait to see it!

So now’s the time to dig out those old Marvel and Image/DDP comics, rent the cartoon DVDs, and get ready to jump back on board with that highly trained, classified, special operations unit that is determined to stop COBRA from ruling the world.

Keep your eyes on Suvudu for an exciting contest featuring G.I. JOE trivia and a chance for you to win an autographed copy of Pablo’s book.


Memorials and Remembrances for Those Who Have Passed

Every year at the Eisners, the awards ceremony takes time to remember the writers, artists, actors, and other creators who have passed away since their last gathering. It’s always a somber time, but good in that it celebrates the work of all those people. Check out the video below

After the jump, a band of four is charged with getting the ceremony underway again after a somber memorials section.

Graham Ingels, Matt Baker, & Reed Crandall: Will Eisner Hall of Fame Inductees

Graham “Ghastly” Ingels, the noted and famed EC horror comics artist, is inducted into the Will Eisner Hall of Fame as a Judges’ Selection. Berni Wrightson, co-creator and first artist of The Swamp Thing, accepts the award for Graham and tells a great story about discovering the man whose illustrations inspired many horror comics careers.

Matt Baker is known for many things, but the two that always stand out are these: he was the first major African American comic book artist, and he was widely considered to be a master of “Good Girl Art.” Calvin Reid, of Publishers Weekly’s Comics Week, accepts the award in Matt’s honor. His official Eisner Award biography reads:

“Baker started his career in the Iger Studio, working on titles for Fox, Fiction House, and Quality. He later went on to work for St. John and Atlas, as well as drawing the Flamingo newspaper strip. Although he drew a variety of western, romance, and adventure titles, he is best remembered for his work on the Phantom Lady series. Baker was the artist on the arguably first graphic novel, It Rhymes with Lust, by Arnold Drake and Leslie Waller. Unfortunately, his career ended abruptly in 1959, when he died at the young age of 37.”

Reed Crandall drew for Treasure Chest Comics, Creepy, and Eerie among many others. He was an artist in both the Golden and Silver ages of comics. I wish I could tell you who accepted the award on his behalf, but the presenter was mumbling and, on top of that, I’m having trouble getting past the accent. So blame us both for dropping the ball on this one. Reed Crandall’s official Eisner bio reads:

“Reed Crandall (1917-1982) started with the Eisner/Iger Studio, where he worked primarily on titles for Quality Comics, including Hit, Crack, Smash, and Uncle Sam (which became Blackhawk), where he drew such features as “The Ray,” “Dollman,” and “Firebrand,” as well as some terrific covers. When Quality scaled down their line, Crandall began doing work at EC. He drew everything from science fiction to suspense to horror. When EC folded comics production in 1955/56, he did occasional work for Atlas/Marvel and Classics Illustrated. In 1960 he landed a contract with Treasure Chest Comics and drew stories for them for twelve years. Then in 1964 he began working for Warren and delivered some of the best work of his career for Creepy and Eerie. His last contribution to comics was published in 1973.”

The Will Eisner Hall of Fame inductions roll on after the jump with one of the most heartfelt and emotional speeches ever given at the Eisner Awards.

In this edition of Suvudu & You at the Eisners, we’ll see the presentations for:

• Best Humor Publication
• Best US Edition of International Material
• Best US Edition of International Material-Japan
• The Russ Manning Most Promising Newcomer
• Part One of the Hall of Fame Awards

Best Humor Publication, Best US Edition of International Material, & Best US Edition of International Material-Japan

I was sure that Wonderbread: Beards of Our Forefathers would be winning the Best Humor category. Shows how much I know, but what does that say about my sense of humor? Jason wins for best US Edition of International Material (no shock there), but he also has the best excuse for not attending the Eisners. Check out the video below.

Continue on after the jump for a look at the Russ Manning award winner and the first recipient of the Will Eisner Hall of Fame Award and Induction.

Rainy Sundays are good for three things: laundry, reading, and surfin’ the webs. Thus far, I’ve managed all three of those things today, on top of other less exciting ventures such as eating breakfast, brewing coffee, and showering (two of those other things were done simultaneously; I’ll leave it to you to imagine which they were). And it was while I was crawling aimlessly through the webs, like a hungry spider who’s misplaced that plump captured fly, that I came across two juicy morsels that I thought I’d share with you. Both are about graphic novels AND both relate to Suvudu.

No kidding, it’s Suvudu outside the box, in a way.

Our first article comes to us by way of NYU’s School of Publishing and is about a visiting talk given recently by Del Rey’s own (and thereby also our own) Tricia Narwani on Graphic Novels 101. Tricia talked about a number of issues in the graphic novel industry including the various genres, the rise and popularity of Manga, non-fiction graphic novels, and the influence of webcomics. The article summarizes the talk quite nicely and, for such a deep topic, reads quite easily.

“Bully to you, NYU School of Publishing!” As the kids today might say*. You can read the article here:

Graphic Novels 101 | NYU School of Publishing Blog

GN101.png“You’ve heard of ‘Maus’ and ‘Persepolis,’ but, really, what’s a graphic novel? Tricia Narwani, Editor with Random House’s Del Rey Books (with more than 100 manga titles this year), recently answered that question at NYU’s Summer Publishing Institute. Speaking to students, she talked about the state of the industry, the various genres and much more. Even though the term ‘graphic novel’ was popularized in 1978, the category can be amorphous…and confusing, she noted. More simply put, graphic novels are comic books that may have complex story lines and are bound in similar format to books. To get everyone on the same page, Tricia mentioned Neil Gaiman’s ‘Sandman’ and Brian K. Vaughn’s (of Lost fame) ‘Y, the Last Man’, and this got students nodding their heads in recognition.” Read the whole post.

The death of Batman, the hard noir of Parker, and the life of Asterios Polyp make up the next article on anti-heroes after the jump…

Today, Suvudu takes you back to the Eisner Awards to view the doling out and accepting of:

• Best Publication Design
• The Spirit of Retailing Award
• Best Archival Project-Strips
• Best Archival Project-Comic Books

The Spirit of Retailing award is one of my favorite awards in the Eisners. I just love the idea that, in the middle of this awards show honoring some of the best creative talent that the industry has to offer, the whole she-bang takes a time-out to honor the folks working in the retail trenches. Also, I love watching the store submission videos (for those who do submit them). We’ll also be seeing Mike Mignola pick up an Eisner for Hellboy Library Editions 1 & 2 (a sight that would be come a familiar one as the evening went on). Then, in video two, we’ll see the winners for the Best Archival projects (comic strips and comic books).

So sit back and enjoy Suvudu’s Sunday showing of the Eisner Awards.

Best Publication Design & The Spirit of Retailing Award

365 Days of Manga
Are you a manga connoisseur looking to complete your collection? New to the world of manga and want to explore a little more? Here’s your chance to win up to 5 FREE manga volumes from Jason’s collection! Just sign up below--entries are accepted daily!*






State
Preferred type of manga
shonen (boys')
shojo (girls') & josei (women's)
yaoi
seinen (adult men's)
no preference
I certify that I am 18 years of age or older (optional, but you won't get any yaoi or seinen manga if you're under 18)
*Previous winners are ineligible for future drawings.
Official rules
The Ghost King by R.A. Salvatore
Jonathan Rosenberg's GOATS graphic novels
Bookseller Roundtable Discussion
Star Wars - Millennium Falcon
Pantheon Graphic Novels